Saturday, June 3
9:00-10:30am: F Sessions
F1
Room: Promenade Ballroom
Roundtable: Portraying Guthrie, Dylan, Dali, and Cash in Film: Challenges and Opportunities
- Lynda Schneider (chair)
- Ross Wylde
- Dave Anthony Buglione
- Matt Westin
- JJ Mason
- Douglas Tjelmeland
F2
Room: Oklahoma Ballroom
Panel: Collaborations
- Scott Bunn (chair), Recitations on Waitresses & Art Within Terry Allen’s “The Beautiful Waitress” and Bob Dylan’s “Highlands”
- Ray Padgett, ‘Pledging My Time: Conversations with Bob Dylan Band Members’ Book Preview
- Harold Lepidus, Dylan & The Dead Reconsidered: Goin’ Down the Road, Feelin’ Rad
F3
Room: Tulsa North
Panel: One Upon a Time: Bob Dylan Illuminated through Three Temporal Frames
- Anne-Marie Mai (chair), Time Slots in Dylan’s Songs and Visual Art
- Nina Goss, Today and Tomorrow and Yesterday, Too: Rough and Rowdy Ways/Murder Most Foul (2020), Bob Dylan, and Late-Style Studies
- Robert Reginio, “Oh, Help Me in My Weakness”: Entreaties and the Dissolution of Communal Time in John Wesley Harding (1967)
F4
Room: Horton Records Stage
Panel: Rough and Rowdy
- Robert H. Cataliotti (chair), “The Key to the Highway Is the Key to the Cosmos”: The Blues Aesthetic in Rough and Rowdy Ways, Shadow Kingdom, and The Philosophy of Modern Song
- Fabio Fantuzzi, Rough and Rowdy Ways: Memory and History in Bob Dylan’s Late Narrative Songs
- Garin Cycholl, (Tulsa) Time out of (COVID) Mind
10:30-11:00am: Coffee Break in the Upper Foyer
11:00am-12:30pm: Keynote
Room: Promenade Ballroom
Greil Marcus, The Only Thing Missing Was Gloria Grahame: Noir Tones in 21st-Century Dylan
1:30-3:00pm: G Sessions
G1
Room: Oklahoma Ballroom
Panel: Dylan’s Writing Process
- Michael Sauve (chair), Born in Time: Conditional Tenses and the Changin’ Lyrics of Bob Dylan
- Jim O’Brien, ‘When I paint my Masterpiece’ – Bob Dylan as Poet of the Renaissance
- Owen Boynton, Bob Dylan and Enjambment
G2
Room: Horton Records Stage
Panel: Humor
- Daniel Radosh (chair), It Takes a Lot to Laugh: Bob Dylan as Humorist
- Harrison Hewitt, How Long Can We Falsify and Deny What Is Real: Bob Dylan is the Funniest Person Alive, and Why We Need to Talk About It
- Danny Fingeroth, The Comic Book and Me: Bob Dylan and Comics
G3
Room: Tulsa North
Panel: Dylan’s Sound
- Michael Hacker (chair), Know Your Song Well: Bob Dylan’s Singing Voice
- Simon Harel, Ventriloquism and Influences in Early Dylan’s Voices
- J. Matthew Martin, Canon at Last? Re-visiting the Album “Dylan” in Light of “Another Self Portrait,” “Travelin’ Thru,” and “1970”
G4
Room: Promenade Ballroom
Roundtable: The Problematic Genius: Interpreting Bob Dylan When He Gets It All Wrong
- Stephen Daniel Arnoff (chair)
- Kathryn Lofton
- Mark Montgomery French
3:00-3:30pm: Coffee Break
3:30-5:00pm:Book Launch
Room: Horton Records Stage
Stevan Weine in Conversation with Holly George-Warren about Best Minds: How Allen Ginsberg Made Revolutionary Poetry from Madness
Sponsored by Fordham University Press, this launch celebrates Stevan Weine’s remarkable look at Ginsberg’s art and life-long struggle with mental illness.
5:00-5:30pm: Break
5:30-7:00pm: Keynote
Room: Horton Records Stage
Happy Traum, “Coming of Age in the Greenwich Village Folk Revival, 1954 – 1971”
Musical Performances: (available to Switchyard all-access pass holders only)
7:00pm: Doors at Cain’s Ballroom
8:00pm: Cain’s Ballroom, Larry Campbell & Teresa Williams co-headlining with Robbie Fulks
10:30pm: Horton Records Stage at the Hyatt Hotel, Paul Benjamin Band