Staff - The TU Institute for Bob Dylan Studies
Close Menu



Sean Latham is the Pauline McFarlin Walter Endowed Chair of English and Comparative Literature at the University of Tulsa where he serves as Editor of the James Joyce Quarterly and founding director of the Oklahoma Center for the Humanities.  He is an internationally recognized expert in the field of modern literature and culture and has written or edited ten books, including Am I a Snob? (Cornell 2003), The Art of Scandal (Oxford 2009), the Little Review Ulysses (Yale 2015), and The World of Bob Dylan (Cambridge 2021).


Special Projects Coordinator

Alex Isaak is thrilled to join the Oklahoma Center for the Humanities as the Special Projects Coordinator. She is an experienced newscast, video and podcast producer with more than six years of experience. Before shifting her focus to the humanities, she worked at KOTV – News On 6 as the 5 PM Newscast Producer and produced special coverage, including a two-hour digital livestream during the 2022 Midterm Elections.  She is also the co-creator and producer for the Talk Film Society podcast, Dream Little Deeper, a critical retrospective of the Walt Disney Animation Studios.

Alex graduated from the University of Tulsa in 2019 with degrees in Media Studies and Creative Writing and was awarded the Dr. Robert Doolittle Top Media Studies Senior. She is also a graduate from TU’s Honors College.

Graduate Assistant

Nathan Caleb Blue is a doctoral student in English and Creative Writing who has worked with the Bob Dylan Archive® studying fan letters sent to Dylan in 1966. For his MA capstone project, he applied the tools and methodologies of the digital humanities to analyze metadata gathered anonymously from these fan letters. By utilizing the resources of the Institute and its proximity to the Bob Dylan Center, Blue investigates and reports on the ways in which a burgeoning, young mass fandom circulated in 1966–in teen fan magazines, fan clubs, record stores, schools, and beyond. His interests span across the long twentieth century, with a particular focus in literary modernism and concepts of celebrity in periodicals and new media.